Histories of Heinrich Schütz

Histories of Heinrich Schütz
Author :
Publisher : Cambridge University Press
Total Pages : 267
Release :
ISBN-10 : 9781139502016
ISBN-13 : 1139502018
Rating : 4/5 (16 Downloads)

Book Synopsis Histories of Heinrich Schütz by : Bettina Varwig

Download or read book Histories of Heinrich Schütz written by Bettina Varwig and published by Cambridge University Press. This book was released on 2011-11-03 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.


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Histories of Heinrich Schütz
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Pages: 267
Authors: Bettina Varwig
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Type: BOOK - Published: 2011-11-03 - Publisher: Cambridge University Press

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Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellec
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Heinrich Schütz (1585-1672) was the most important and influential German composer of the seventeenth century. In A Heinrich Schütz Reader, the composer and h
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Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.